Screen
A lesson in unintended consequences
“What about the ROUS?”
“Rodents of unusual size? I don’t think they exist.” — Princess Buttercup and Westley in The Princess Bride
Bad news Westley, they...
Double fault
As the Supreme Poohbah of Pastry, Mary Berry, would far more eloquently and pleasantly explain from beneath the tent during The Great British Bake...
Droning on
For one brief, shining moment, the completely unnecessary remake of Robocop suggested the possibility of non-suckage. Pat Novak (Samuel L. Jackson), a host of cable news propaganda, frothily and non-ironically...
[Ir]replaceable you
If Jean-Luc Godard was correct when he surmised, “The history of cinema is the story of men filming women,” then the French auteur Olivier Assayas’s latest, Clouds of Sils Maria, adds the crucial word missing from that epigraph: young...
More vulgarity, please
In 1956, not long after she married Death of a Salesman playwright Arthur Miller, Marilyn Monroe made a movie with director and star Laurence Olivier at England’s Pinewood Studios. The film, The Prince and the Showgirl, came from Terence Rattigan’s drawing-room ...
Solid cast helps ‘2012’ overcome flaws
Nothing like a dandy evening's apocalypse to take the edge...
Mommy issues
A mother is on trial for murdering her child. We know how, but not why. Nor does the mother. She does not deny the...
‘The Hateful Eight’ is pointless, stupid garbage
Say this much for writer/director/foot fetishist/N-word-addict Quentin Tarantino when he finally made his first bad movie: he made one of the worst films ever....
Laughs & Gasps: The Cinema of Brian Trenchard-Smith
Any filmmaker’s visit to CU-Boulder’s International Film Series is cause for celebration, but when the filmmaker in question is writer, director, actor, occasional stuntman,...