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Lucy goosey

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Screen

Love in the time of communism

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Well, if you want to sing out, sing out And if you want to be free, be free. ’Cause there’s a million things to be You know...

Tame, lame video game

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Glam it up all you want: Ender’s Game is about a kid playing a high-stakes video game. And before Fred Savage-fueled  the visions of The Wizard go Super- Mario-dancing in your head, you should know this features absolutely no Power Glove love...

Only in dreams

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There are two moments in Once Upon a Time... In Hollywood that take your breath away. The first is visual: A series of neon...

‘To die with something to live for’

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On Sept. 1, 2013, Hayao Miyazaki, the imaginative creator of My Neighbor Totoro, Porco Rosso, Spirited Away and The Wind Rises, announced his retirement....

Reel to reel | Week of July 18, 2013

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20 Feet From Stardom...

Quake and stakes

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Let’s get this clear up front: Dwayne “The Rock” Johnson’s character, Ray, in San Andreas is stealthily one of the most morally bankrupt, narcissistic assholes to ever be called a “hero.” He’s introduced as having saved more than 600 lives during his many years with ...

A tale of two cities

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One of the more fascinating aspects of the movies is their ability to reach across time and space and continue cinematic conversations started long ago. Moviegoers will be able to peek in on that conversation next week at The Boedecker Theater where both 1971’s The ...

Train of thought

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No matter how blue-collar or red-meat the story, director Tony Scott’s movies revel in his luxe, glossy yet easily distracted technique that ensures every shot is trailer-ready, and every fractured moment strives for maximum coolness. He’s an old-school cliche-...

‘Skin’ doesn’t go deep enough

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An improbable true story of bloodlines and color lines...

Dr. John Brinkley is just ‘Nuts!’

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Dr. John Romulus Brinkley Jr. had trouble with the truth. But then again, Dr. Brinkley was an American, and Americans have a particular allergy...

‘Creation’: The evolution of a movie

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WASHINGTON — Funny how some projects evolve...

The last masterpiece

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On April 23, 1917, Buster Keaton made his theatrical debut in Roscoe “Fatty” Arbuckle’s The Butcher Boy. Three years later, Keaton would strike out...