Screen

‘Ong Bak 2’: Thai fighters

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Bruce Lee is dead, Jackie Chan and Jet Li are slowing down, but the world of martial arts never sleeps. Keeping everyone awake these days is Tony Jaa, Thailand’s biggest action hero, who returns to inflict more damage in Ong Bak 2: The Beginning...

Nothing left to lose

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It was one of those moments. The kind where two historical figures crossed paths briefly and a simple exchange carries meaning greater than one...

CLASSICS: ROMAN HOLIDAY

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CLASSICS: ROMAN HOLIDAY...

‘Arabian Nights’ at IFS for a three-night event

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Ambition comes in all shapes and sizes, but when it comes to the movies, ambition tends to come big. So big that one night...

An indecisive mash-up

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I take notes as I watch films so that I can remember salient plot points, great effects, and idiotic story twists. During The Other Guys, I wrote down “buddy cop film from hell.” That might well sum up the weird mash-up that is The Other Guys, a movie that can’t ...

Everyone is awful

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Warning to newly engaged couples: Do not see Gone Girl, a movie that makes marriage look like The Hunger Games with slightly more alleged sodomy. Writer Gillian Flynn, adapting her own novel, filters her twisty-turny whodunit (if there even is an “it” to be “whodun...

Reel to reel | Week of October 31, 2013

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20 Feet from Stardom...

The con man’s lament

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Some men just think they’re better than others. Connie does. Scratch that, Connie knows he’s better. Better than the two-bit drug-dealer he’s in cahoots...

Best of the fest

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It’s the most common question you get as a film critic: “What’s good?” Variants include: “What do you like?” “What excites you?” “What should...

Perry gets serious

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It’s dated, theatrical and overthe-top. In the 35 years since the play’s premiere, it still doesn’t cut black men a lot of slack...

Home viewing: Palme d’Or winners

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The origins of France’s Cannes Film Festival lay not in La République, but neighboring Italy. Specifically, 1937’s Venice Film Festival, when Benito Mussolini stuck...

Home viewing: Writers on screen

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Writers themselves aren’t that dramatic or empathetic a subject,” screenwriter Sarah Gubbins says. “As a genus and species they are wont to be solitary,...