Screen

Chaotic, but ‘Pirate Radio’ works

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Richard Curtis makes romantic, sentimental and overlong...

The tin shine of BIFF

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As the Boulder International Film Festival (BIFF) celebrates its 10th anniversary, founders Kathy and Robin Beeck have much to celebrate...

Fairy tale, retold

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Encased in a coffin, waiting to be brought back to life: That’s how Snow White spends a good portion of the folk story that bears her name. There’s no such downtime for the princess in the snappy retelling Mirror Mirror, a fractured fairy tale that occupies the ...

Anarchy in the U.K.

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The year is 1708 and Britain is at war with France. Queen Anne (Olivia Colman) is ill and prefers to spend her days hidden...

film

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ART AND CRAFT...

Fast, furious fun

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As adolescent male power fantasies go, Fast Five has an undeniable trashy charm...

An aquatic beauty and the beast

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There’s nothing like a good fairy tale, especially one with teeth — and Mexican writer/producer/director Guillermo del Toro has plenty of teeth to go...

‘Nine’ is sexy, engaging and stylish

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Films are dreams, whether the director is aiming for hyper-realism or whether we’re allowed to fly through the odd, the dreamy, and the troubling of their imagination. Director Rob Marshall’s Nine is a sexy, engaging, stylish and enlightening journey through the ...

This year’s Oscar-nominated shorts are sublime

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Just as the short story trembles in the footprint of the novel, the short film plays David to featurelength film Goliaths. But with the help of shiny, naked bald men, these wee bits of cinematic splendor step from the shadows and sling their short shots. And in the ...

Something to do with death

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No matter how corrupt, greedy, and heartless our government, our corporations, our media, and our religious and charitable institutions may become, the music will...

Lost in a sea of memory

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Few films can announce themselves as succinctly with an opening image as Frantz does. In the foreground: green leaves and pink flowers waving in...

You’ll need a Haneke

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Oh, hell no. Why you gotta do us like that, writer/director Michael Haneke? Is life not already emotionally dense enough that you have to go and drop Amour on us just to remind us how finite and precious this human experience is? This is the sort of film you don’t ...