Screen
Thanks, Morgan Freeman
I’ll be honest, in the spirit of the honestly shameless heartwarmer Dolphin Tale. I saw it in a somewhat distracted, agitated state...
Soldiers of cinema
Unless you’re a real film buff, the name Jeremy Thomas might not mean anything to you. But it should. He is one of the...
Death of the handmade
Clothes make the man. But who makes the clothes? Nowadays, most of us walk around wearing cookie-cutter shirts, pants and jackets, all produced en masse and for no one in particular. Sure, they come in a variety of standardized sizes, but very few bodies are standard...
Red, white and very blue
I don’t know who Michael Moore is making movies for at this point. That’s not an indictment or even a suggestion that Where to Invade...
Coming of age
Since his 1991 debut, Slacker, writer/director Richard Linklater has quietly become the most reflective director in American cinema. In the documentary Double Play: Jack Benning and Richard Linklater (Gabe Klinger 2013), currently available via Video on Demand, he ...
God’s lonely men
For most, Taxi Driver is summed up by one of the most famous lines in cinema: “You talking to me?” Conveying masculinity and bravado, it readies angry men for battle. But it is misleading. It is an act, a façade. The truth is found in the line that follows: “Well, I’...
‘Shutter Island’ star Leonardo DiCaprio on why he keeps working for...
"Shutter Island" marks Leonardo DiCaprio's fourth collaboration with director Martin Scorsese. It may also be his most intense, which says a lot when you consider that their previous three films were "Gangs of New York," "The Aviator" and "The Departed...
Where’s the honey?
Winnie the Pooh, Disney’s latest film revival of A.A. Milne’s “willy, nilly, silly old bear,” is longer on charm than it is on laughs. Or length. But it’s a treat for children making their first trek to the multiplex and for parents and grandparents with fond ...
Unlikely combinations
Mildly funny adventures in extreme baby-sitting, director David Gordon Green’s The Sitter finds its emblematic moment in the scene of Sam Rockwell, playing a Brooklyn drug dealer, joking around and then suddenly blasting one of his minions in the foot in a ...
