Screen

In lieu of a theatrical experience: Summer edition

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This was the weekend we were waiting for: A return to movie theaters in the time of coronavirus. Christopher Nolan’s latest blockbuster, Tenet, was...

Rocking tour

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When Peter Mortimer premiered his first movie Scary Faces 10 years ago at the Boulder Theater, the local filmmaker had his doubts...

It (almost) never works

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Since American media sexualizes almost everything except sex, Hollywood romantic comedies about two people making hey-hey without any big plans for any big future rarely come easily or operate from a spirit of carnal delight. The strain of being hip and loose, yet ...

Me and my pal Adolf

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Jojo (Roman Griffin Davis) is a good little Nazi. Jojo’s only 10 years old, but his brown shirt is spiffy, his red arm badge is on...

Not in the Zone

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Matt Damon stars in Green Zone as Chief Warrant Officer Roy Miller, who is increasingly frustrated by the pointless missions he’s sent on, finding empty warehouses where intel has pinpointed weapons of mass destruction. Leading the government conspiracy is Clark ...

Aubrey Plaza hilarious in a wasted effort

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Before anything else: How great is Aubrey Plaza, right? From her droll, intentionally weird character on NBC’s Parks and Recreation to her killer late-night TV interviews (just watch the last one with Conan O’Brien if you doubt), Plaza is deliciously and completely ...

The children of Marx and Coca-Cola

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It was the 1960s, and revolution was in the air. For French filmmaker Jean-Luc Godard, cinema was the way to express ideas artistic, political...

Badly thought out film adaptations, nevermore

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Edgar Allan Poe introduced his 1840s readership to a new kind of fiction: detective novels. In his dark, twisted and often macabre stories, criminals committed crimes and were brought to justice by an officer of the law. But while his stories, including "The Cask of ...

Reel to reel | Week of August 22, 2013

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20 Feet From Stardom...

The dreaded ’20’

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It´s a close call, given the lousiness and the scolding tone of much of her material, but Anna Faris survives What’s Your Number? with eccentric comic charm intact. Dumb film; smart comedienne...

The long on the shorts

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As Violet from Willy Wonka or someone who just saw a spider will tell you, bigger isn’t necessarily better. An afterthought for most normals until Oscar night, short films are often bite-sized bits of delightful wonder. Heck, sometimes they even grow up to be feature...

Awful everything

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The good news for Paul W.S. Anderson is that Uwe Boll, his only serious competition for worst movie-maker in the biz, has another BloodRayne movie on the way...