Screen
When the system wins
It doesn’t take long for Alex Cox, University of Colorado Boulder assistant professor and director of such cult classics as Repo Man, Sid & Nancy, Walker and The Highway Patrolman (which screens at the International Film Series on Wednesday, Oct. 5), to show his ...
Turning rebellion into money
What is it about messianic men and the chaos they cause? They are almost always false prophets, yet time and time again, we fall...
Myopic biopic
Biopics are lies. Oh, don’t get me wrong, all storytelling is fundamentally fibbing. But it seems somehow more disingenuous to airbrush actual human histories, to select which warts to ignore and which redemptive moments to exaggerate. Documentaries exist for a ...
Daguerreotypes
For 50 years, Agnès Varda lived on Paris’ Rue Daguerre, a quiet street of merchants not far from Montparnasse. She saw the men and...
Home viewing: Palme d’Or winners
The origins of France’s Cannes Film Festival lay not in La République, but neighboring Italy. Specifically, 1937’s Venice Film Festival, when Benito Mussolini stuck...
The Iron Giant
Before the 1990s, animated
family films were in the gutter. Deemed too expensive, too labor-intensive,
their demise was certain. But then came The
Little Mermaid, and a...
Kid, you’re gonna go far
Meet Kayla Day (Elsie Fisher); she’s 13, lives in a suburban home with her single father (Josh Hamilton) and is about as put together...
Wonder Woman versus chauvinism
In many ways, the comic book character Wonder Woman is very much a product of the time in which she was conceived — World War II America...
Serious as cancer
It´s a cancer film; no getting around it. But the tender and funny 50/50 addresses its protagonist’s health crisis and chances for survival directly, with a refreshing lack of narrative hemming, hawing or embroidery, so that it becomes something more: a picture with ...
