Screen
Leave it alone
Let’s not do this, OK? Let’s not use nostalgia to forgive the unspeakable things we did to fringe, denim and the musical scale in the 1980s. Other than the 1985 Chicago Bears and that time Michael Jackson’s hair caught on fire, there is nothing even worth remembering...
Please sir, may I have my job?
Sit down, Sartre. Writers/directors Jean-Pierre and Luc Dardenne get it a bit more right: Hell isn’t just other people. Hell is asking other people to surrender their bonuses so you can keep your job. Two Days, One Night is a harrowing social allegory, a dramatic ...
Reel meaning
Art saves lives. That’s not hyperbole or exaggeration. Creating art as a release has let countless razorblades sleep soundly in their drawers. Consuming art that expresses what someone can’t say themselves, something that tells them “you’re not alone” or distracts ...
No Wright, still alright
In the belly of a hollowed-out volcano, maniacally laughing and rubbing their hands together in a way only villains are wont to do, WB/DC executives had to be overjoyed when writer/director Edgar Wright left Ant-Man just as production was starting. Finally! A Marvel...
Happy, little clouded
Actual human beings made The Tale of Princess Kaguya, and you can tell. A water-colored rebuke of the robots who computer-generate most modern animation, every luscious scene is hand-crafted and flippin’ gorgeous. Sadly, the story is painted with obvious and familiar...
Ending in the Middle Earth
There are many things I don’t understand: quantum mechanics, car commercials, who put the bomp in the bomb bah bomp bah bomp...
Reel to Reel | Week of March 22, 2012
21 JUMP STREET Two young police officers and ex-classmates go undercover at a local high school to investigate a dangerous drug ring. Rated R. At Century, Colony Square and Twin Peaks. — Los Angeles Times/MCT ACT OF VALOR After the rescue of a kidnapped CIA ...
Juarez: What is it good for?
Nobody show Donald Trump Sicario! Already willing to xenophobically cast ignorant shade on entire groups of people, director Denis Villeneuve and writer Taylor Sheridan’s film reads like Captain Floppy-head’s personal vision of what all of Mexico is like. If his ...
