Screen
L’enfant du cinema
A director only makes one movie in his life,” said filmmaker Jean Renoir. “Then he breaks it up and makes it again...
Neeson vs. wolf
The title 8 Million Ways to Die was already taken, so The Grey had to settle for The Grey, named for the plus-size wolves waging war on the desperate human survivors of an Alaskan wilderness plane crash. Tough situation. Frostbite. Wolf bite. Drowning. Falling from ...
Funny noir die
Sporting dialogue hotter than a recently spent shell casing and comedy slightly less dark than a necrophiliac stand-up comedian’s set, The Nice Guys targets...
Surreally ambitious
The year’s best films thus far — writer/director Ari Aster’s Hereditary and writer/director Boots Riley’s Sorry to Bother You — have two major similarities:...
Don’t shoot, shoot, shoot that thing at me
Like many of my favorite scenes from The Accountant, the best one never actually happens.
Having just watched hunky dreamboat/obvious-serial-killer accountant Christian Wolff (Ben...
A surreal take on a classic
Tolstoy’s classic novel of love and infidelity, Anna Karenina has been brought to stage and screen many times, often with mediocre results due to its complexity. Pay attention: It’s mid-1800s Russia, and Anna (Keira Knightley) is married to Karenin (Jude Law), a dull...
Don’t bother keeping up
Since The X Files, David Duchovny’s air of undentable diffidence has been his strength (to those who find him dreamy) as well as his limitation (to the others). In the social satire The Joneses, Duchovny plays a salesman who, at a key point, when he truly deserves ...
Saludos amigos
September is Hispanic Heritage month and to celebrate, the Sie Film Center welcomes the return of CineLatino, a four-day film festival featuring 12 titles that showcase exemplary work coming from countries and cultures to the south...
Sex will kill you
Director Jonathan Glazer and writer Walter Campbell’s Under the Skin joins the smallest movie subgenre: brilliant but batshit insane...
Almost a film
The first thing to note about Sam Neave’s indie thinkflick on love, Almost in Love, is that it’s made in practically the opposite way as a Hollywood film...
