Screen

Emancipation examination

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A humble suggestion: Force the chittering, self-serving partisans in Washington who increasingly prefer filibusters over floor votes to watch Lincoln. Director Steven Spielberg’s latest provides a character sketch, not of its titular president, but of America’s ...

In space, particles accelerate you

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At this rate, the next installment in the Cloverfield pseudo-franchise is going to suddenly appear as just a memory of you having seen the...

Don’t shoot, shoot, shoot that thing at me

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Like many of my favorite scenes from The Accountant, the best one never actually happens. Having just watched hunky dreamboat/obvious-serial-killer accountant Christian Wolff (Ben...

Winner of the Grand Jury Prize in Documentary at the Sundance...

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A penetrating look at death and dying, How to Die in Oregon is an HBO-produced documentary that explores the lives of people suffering from debilitating terminal illness.  Oregon was the first state in the nation to legalize physician-assisted suicide in 1994, and, ...

‘Legion’: No critics allowed

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Legion wasn't screened for critics...

Nothing to be afraid of

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When fantasy filmmaker Guillermo del Toro says he considers the 1973 made-for- TV movie Don’t Be Afraid of the Dark the scariest thing ever made for the medium, he’s not really talking about the teleplay itself...

Oui, Oui!

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Other than offering a great celebutant joke based on its titular similarity to an infamous sex tape, 2 Days in Paris was stunningly forgettable and a remarkably unlikely target for a sequel. This is to say, there’s no good reason why 2 Days in New York even exists, ...

Funny noir die

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Sporting dialogue hotter than a recently spent shell casing and comedy slightly less dark than a necrophiliac stand-up comedian’s set, The Nice Guys targets...

Network

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When writer Paddy Chayefsky penned the script for Network, he stumbled onto something special. When director Sidney Lumet and actors Faye Dunaway and William...

Big movies come in small films

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It may be Hollywood’s biggest night, but the Academy Awards are much more than a TV show that trots out Hollywood’s elite and validates...

Under a rock

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With 127 Hours, the Oscar-winning director of Slumdog Millionaire proves it’s possible to make a supercharged, perpetually kinetic movie about a man who can’t move. It is something, this film from director Danny Boyle, who adapted Aron Ralston’s memoir Between a Rock...