Les swing and les miss

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Wet and wild

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Screen

Reel to reel | Week of October 11

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3,2,1…FRANKIE GO BOOM...

Rainbow

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Celebrating Judy Garland’s centenary 

Wildly contradictory and totally true

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Practically everyone knows of Tonya Harding, the figure skater connected with kneecapping her competitor, Nancy Kerrigan, prior to the 1994 Winter Olympics. But how...

Celebrating Stan

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Watching a Stan Brakhage film is like dreaming with your eyes open. The collision of colors and shadows, images overlapping images, distortions and rapid-fire editing imprints...

Sam and Max deliver the laughs again

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 It was a boring weekday night when I stumbled across what I thought was a relic from my youth: a Sam and Max video game, fully restored and buyable from the Playstation Network store. But I was wrong. Delightfully wrong. The game I had found was Sam & Max: The Devil...

A couple of clowns

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There is something in the air at the 39th Denver Film Festival (DFF), something musical. Be it Emma Stone and Ryan Gosling channeling the...

Getting women in the room

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Maybe it comes as no surprise, but sexism is alive and well in the film industry. Women filmmakers are often forced into alternative methods...

film

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BEING GINGER...

‘Fish Tank’ has same strains of ‘Precious’

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LOS ANGELES — Mia is 15, all elbows and anger, going at her life in a rundown apartment complex in Essex as if it were one long skirmish in British filmmaker Andrea Arnold's exceptionally well-crafted drama, "Fish Tank...

Guerrilla Film School: ‘Monsieur Hire’

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If you’ve been missing CWA’s annual Ebert Interruptus and the pleasure of a good film conversation, then head down to Denver’s Smiley Branch Library on Dec....

You say you want a revolution?

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The “99 percent vs. the 1 percent” analogy at work in The Hunger Games: Catching Fire has all the subtlety of a funeral selfie. But it is precisely this lack of sophistication in message that may make this the most zeitgeist-capturing, intellectually resonant sci-fi ...

Reel to reel | Week of December 12, 2013

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All is Lost Robert Redford is brilliant in his role as a nameless man who must survive after his sailboat sinks leaving him lost at sea. Rated PG-13. At Colony Square. The Armstrong Lie In 2008, Academy Award-winning filmmaker Alex Gibney (We Steal Secrets: The ...