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Almost a film
The first thing to note about Sam Neave’s indie thinkflick on love, Almost in Love, is that it’s made in practically the opposite way as a Hollywood film...
The world comes to DFF: The sequel
Continuing until Nov. 11, the 41st Denver Film Festival holds plenty of treats in store for intrepid moviegoers, particularly those with an eye beyond...
BIFF: The Human Experiment
Every single one of us is being transformed daily into a walking cocktail of chemicals...
‘Once upon a time in Uganda’
Isaac Nabwana was a bricklayer with movies on his mind. But Uganda didn’t have the resources for Isaac’s dreams. By Isaac’s admission, his neighborhood,...
A grand Bill: CU professor looks to make the biggest student...
While discussing his ambitious new project — “the biggest student film of all time” — director, screenwriter and University of Colorado assistant professor Alex Cox brings up an interesting point about anti-war movies. More specifically, about the lack thereof...
Better living through cinema
From March 9 to 19, the Boulder Jewish Film Festival will screen over 20 different films of various lengths with subjects of inclusion, diversity...
Not a question of where, but why
Watching movies in 2019 is no longer a question of where, but why.
It could be everywhere: Multiplexes, art house theater, film societies, living rooms,...
A smooth crossover
Compared to so much American animation, which seems hell-bent on putting a global audience of addled kids in a paradoxical manic stupor, the work of Japan’s Studio Ghibli sets its own pace, establishes its own, meticulously observed realms of the fantastic and ...
Rediscovered country
It opens like any other western: Sepia soaked still photographs of settlers in wagons traversing a wild frontier while title cards credit the actors, the...
‘Sausage Party’ goes further than you think
The first 70-or-so minutes of Sausage Party is obscenely insightful, a hilariously raunchy contemplation of how spiritual beliefs can be ignorance-inducing and socially blinding....
Reel to reel | Week of August 16, 2012
AI WEIWEI: NEVER SORRY Ai Weiwei is China’s most famous international artist, and its most outspoken domestic critic. At Chez Artiste and Century. — Landmark Theatres THE AMAZING SPIDER-MAN Peter Parker gets a new look (and an origin story) in this Marvel remake ...
