Screen

Whether or not we’ve reached the zenith of comic book movies, we have officially achieved “peak Goldblum.” Dressed as the coolest dad at the...

On Dec. 1, TCM’s 14-week series Women Make Film comes to a close with movies on death, endings and a little song and dance....

A.C.O.D...

If Fox News made Ambien, the opening sequence of Sicario: Day of the Soldado would be its signature hallucinatory nightmare. A classic “You got...

21 JUMP STREET See full review on page 47. Rated R. At Century, Colony Square and Twin Peaks. — Los Angeles Times/MCT ACT OF VALOR After the rescue of a kidnapped CIA operative leads to the discovery of a terrorist plot against the U.S., a team of Navy Seals is ...

As a milky-white gross-beast skitters its way around a wheat field, getting murder-death all over gun-toting space colonists, the only question becomes whether Alien:...

Few filmmakers are as divisive as the great Italian Pier Paolo Pasolini. He was a novelist, a poet and a provocateur even before he...

When Katrina Miller was a journalism student at CU Boulder some 20 years ago, the student body president—Mebraht Gebre-Michael, also a Black woman—received an...

"I always wanted to be a cameraman,” Michael Talarico says over Zoom. “I was always into photography, and it was somewhere in my second...

Gary Zimmer (Steve Carell) is a typical liberal elite, the kind they grow in labs somewhere along the coast. He dresses well enough to...

Whether you find the latest adaptation of the Agatha Christie classic, Murder on the Orient Express, “deliberate” or “boring” hinges entirely on the delight...

If Jean-Luc Godard was correct when he surmised, “The history of cinema is the story of men filming women,” then the French auteur Olivier Assayas’s latest, Clouds of Sils Maria, adds the crucial word missing from that epigraph: young...