Screen
Happy, little clouded
Actual human beings made The Tale of Princess Kaguya, and you can tell. A water-colored rebuke of the robots who computer-generate most modern animation, every luscious scene is hand-crafted and flippin’ gorgeous. Sadly, the story is painted with obvious and familiar...
Nostalgic puppets to the rescue
A frisky new film showcasing some old pals made out of felt, charm and some kind of genius, the Disney release The Muppets overcomes a jaded streak reflecting its makers’ nervousness about selling Kermit the Frog, Miss Piggy, Fozzie Bear and the gang to an audience ...
Don’t let millennials time travel
Project Almanac understands what people really want in a time-travel movie: long stretches of people soldering circuit boards and buying batteries. I mean, why waste time pondering temporal paradoxes when audiences just want to sit back and marvel at the thrill of ...
In praise of the shared experience
The theatrical release of Roma is the cinematographic event of the year. Initially acquired by Netflix for their streaming service, Roma’s visual and aural...
‘Melvin Van Peebles: Essential Films’ is an essential set
He was a filmmaker, an actor, a novelist, a playwright, and a revolutionary. He made one of the most profitable and overlooked independent films...
Images from the underground
Many filmmakers have strode the hallowed halls of the University of Colorado Boulder: Derek Cianfrance, Dalton Trumbo and Alex Cox are just a few,...
Boring vampire sex
The fourth film in the Twilight series, Breaking Dawn: Part 1 reveals a flash or two of real filmmaking (mostly in a suggestively grotesque birthing sequence), enough to save it from pure lousiness...
The future of the American family
Verizon Wireless has “Friends & Family.” Sprint calls it “Framily.” Facebook calls it “Friending” (even if your own mother just “friended” you). If the 20th century focused on the nuclear family, then America in the 21st century shifted importance to those friends ...
Losers, yet fun
Is there something written that good, enjoyable films have to make sense, be internally consistent and not have dumb continuity gaffes? I hope not, because that perfectly describes my reaction to The Losers, yet another Hollywood film based on a graphic novel. This...

















