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A conspiracy full of holes

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Heartbreakingly average, director Robert Redford’s The Conspirator errs in the way so many films do, especially films about unsung pieces of American history. It focuses on the wrong character — in this case the white male, i.e. the “bankable” one, instead of the ...

‘This isn’t a comic book’

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Writer/director Jeff Wadlow’s Kick-Ass 2 is “morning radio shock jock” offensive, which is a thematic departure from the source material written by Mark Millar. But is it better to flinch from the vile, reprobate, misogynistic glee of Millar’s comic miniseries or to ...

Reel to Reel | Week of February 28, 2013

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21 AND OVER...

A magical tale through film history

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Hugo (Asa Butterfield) is a scruffy orphan who lives in forgotten spaces hidden in the walls of Gare Montparnasse, a bustling train station located in the center of Paris. It’s 1931 and memories of The Great War are fresh, even as everyone tries to resume their ...

Brotherly love

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A mid all the promotional noise for Up in the Air and Avatar and the rest, it’s easy to overlook a drama like Brothers, with its plain-spoken title and stern subject matter...

Where you been, Laden?

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That members of the U.S. Senate have spent more time discussing the fictional depiction of torture in Zero Dark Thirty than they spent discussing the actual torture the military was performing in the wake of 9/11 is yet more proof that “Congress” is the opposite of “...

Chinese art attack

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It’s impossible not to watch Ai Weiwei, dubbed by some as the “Chinese Andy Warhol,” tell his motherland to eff right on off without thinking one thing first and foremost: That dude has got some Buddha-sized stones. Although Ai may possess the street-art cred and pop...

Bad title, good movie

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Forty-five minutes or so into Tower Heist, the question arises: Is this movie with the title of purest generica — was “Stealing Money” taken? — truly good, or simply less bad than most of what director Brett Ratner has done previously...

Frightful remake

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Plenty gory, but graced by a jovial sense of humor and an enjoyably guts-centric use of 3-D, director Craig Gillespie’s remake of the 1985 vampire film Fright Night may not tickle the fancies of those who have a close personal friendship with the older version. I ...

Reel to reel | Week of April 25, 2013

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VII UNCOMMISSIONED...

Hawkes’ virginity Hunt-ed

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America’s Puritanical origins mean that “sweetly sexual” may sound oxymoronic, but that phrase absolutely defines The Sessions, the softest and kindest movie to ever feature a star of Mad About You buck nekkid. Although nudity being “integral to the role” is a con ...

Crass and fun

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It`s not good to start a review by saying that the film wasn’t anywhere near as bad or as stupid as I was afraid it’d be, but that’s exactly how I felt about the inane satire MacGruber. Crude and sophomoric, it still had lots of laughs and a surprisingly polished ...