Screen
A thriller for grandma
The Tourist is a facsimile of a masquerade of a gloss on Charade, and on all the lesser cinematic charades that followed in the wake of director Stanley Donen’s 1963 picture. While it’s fairly easy to take in its retro way — it certainly takes it easy on the audience...
Scenes from a marriage
Out in the hinterlands of Iceland, a married couple is grieving. Some time ago, they lost a child. It has created a noticeable rift...
Page turner
John Ford is cinema. Born in Portland, Maine, in 1894 — just as motion picture cameras were first being put to good use —...
Home viewing: Writers on screen
Writers themselves aren’t that dramatic or empathetic a subject,” screenwriter Sarah Gubbins says. “As a genus and species they are wont to be solitary,...
Margarine-al humor
In the wake a presidential debate that was almost fact-free on one side and nearly lifeless on the other, smearing Butter on one´s eyes seemed like a good option for poll junkies. This allegedly politically charged ensemble comedy promised a send-up of campaign ...
‘Arabian Nights’ at IFS for a three-night event
Ambition comes in all shapes and sizes, but when it comes to the movies, ambition tends to come big. So big that one night...
Are you not entertained?!
Another epic tale about incredibly powerful beings fighting against one another with melodramatic overtones? Ugh.” – Theater critics in ancient Greece reacting to the latest play about Gods and mortals Whenever a new cinematic comic book adaptation hits — and, ...
You can’t always get what you want
Tenet opens not with a bang, but with an explosion. Chaos coordinated with cinematic clarity courtesy Christopher Nolan. The setting is a concert hall...
Mama, have mercy
Horror films are often peppered with moments in which you wish your protagonists were just a little more bright or had planned things out a little better — “Don’t go into that basement” and “Don’t open that door.” Even the beloved Shining leaves moments of, “Damn it...


















