Screen
Team Jarmusch
It’s amazing how popularity can change perception. When Stephanie Meyer’s 2005 novel, Twilight, cracked The New York Times bestseller list, vampires were brought back into the mainstream in a big way. Beginning in 2008, Meyer’s series was adapted into five movies and...
Diverse-i-see
Beyond the delightful oceans of tasty, tasty tears wept by whiny dudes whenever a non-hetero, non-white, non-bruh picks up a lightsaber or kicks a...
Not just a voice, a resounding roar
The history of cinema is littered with career defining debuts. From Orson Welles’ seismic Citizen Kane to François Truffaut’s autobiographical The 400 Blows; from Terrence Malick’s poetic Badlands to Martin Scorsese’s raw Whose That Knocking On My Door? They don’t ...
‘Leap Year’ fits romantic comedy mold
If chemistry were all, then the sparks Amy Adams and Matthew Goode set off would be enough in "Leap Year," a romantic comedy in which those sparks never quite ignite...
Alexander Payne’s sweet stakes
I like Alexander Payne. I really do. His ability as a director to mine for subtle laughs others would leave buried is as pleasant as his now-signature genre of “middle-aged-and-older men having muted epiphanies.” I guess I just miss the Citizen Ruth/Election-era ...
reel to reel | Week of Nov. 24, 2011
3 Hanna and Simon, a couple in their early 40s, live together in Berlin. With their 20th anniversary looming, they both become restless. At Denver FilmCenter/Colfax. — Denver Film Society Arthur Christmas Arthur Christmas is not a perfect gift, but it does ...
The second American Revolution
Beyond the inability of many hardworking, taxpaying citizens who have health insurance to obtain necessary medical care at a reasonable cost; beyond a legislature...
The long of it
About a decade ago, a bunch of rich assholes collapsed the world’s economy because they were dumb, evil and greedy. They didn’t go to...
