Screen
Grapes and seeds
The inaugural A Taste of Art: Boulder’s Art and Food Festival at The Dairy Center for the Arts includes several interesting documentaries. Here are BW’s picks for the tastiest viewing. A wine tasting from Hazel’s Wine Bar will follow the screening of A Year in ...
Freebie fraught with failure
Up until their remake of The Heartbreak Kid, two of the unfunniest hours ever, Peter and Bobby Farrelly could be counted on to provide a few fine rude laughs even when their films wobbled...
The Midnight Family
Mexico City is home to 9 million souls, but the government operates fewer than 45 ambulances to aid them in times of need. To...
These guys have all the fun
Somebody asked me, what would be a dream project of yours?” director Douglas Tirola recounts. “I immediately had this vision of a book on my shelf at home that I have had since I was a teenager — the 10th anniversary collection of National Lampoon...
The burden of actual Christianity
Most praise for writer/director Jesse Moss’s documentary, The Overnighters, has rightly been focused on its Steinbeckian nature and explosive revelations about struggling workers in North Dakota. That wasn’t the big takeaway for me. The big takeaway for me was how ...
Better under the bridge
Dreamworks seems bored with the ogre who laid the golden egg. Shrek Forever After, the fourth film in the lucrative franchise and the first in 3-D, barely tampers with the Shrek formula (oneliners, flatulence jokes, pop tunes), and not enough to breathe life into ...
Replicant? No, repli-can!
It is profoundly insightful and upsetting that both Blade Runners explicitly tackle the sins of civilizations built on slavery and sexual subjugation without including...
‘Somebody’s fool’
Orson Welles needed money. That’s how this story begins. Back in 1946, Welles was putting the finishing touches on an ambitious stage production of...
