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Among the last words of 1960s The Magnificent Seven is this Nietzschian fortune cookie quote: “We lost. We’ll always lose.” At the end of...

"Me and Orson Welles" is a little velvet sack of...

Any film that’s built around the music of the mid-1960s starts out with one thing going for it: a great soundtrack. That Pirate Radio goes beyond that and offers up an entertaining and poignant story about loss of innocence is what makes it a film well worth your ...

So I’m talking to a friend the other day, and he says “I don’t see why we need the news anymore if we have social media.” The minute I stopped beating him senseless whilst vomiting due to the sulfuric smell of stupidity, I pointed out that Twitter has yet to take ...

For whatever reason, avant-garde art films have never gained the pop-culture cachet achieved by other realms of the art world...

The diner, as always, is a dive in the desert...

He may not command the salary of Tom Cruise or Leonardo DiCaprio, but for a large percentage of moviegoers, he is just as essential...

The documentary film Old Man is as much a story of a troubled, perhaps marginally dysfunctional family as it is the story of a troubled record store — and, in many ways, a dysfunctional town. The portrait of Boulder is not graceful. It’s a critique of the town’s ...

When Peter Mortimer premiered his first movie Scary Faces 10 years ago at the Boulder Theater, the local filmmaker had his doubts...

Somewhere in a Ukrainian cave, the film crew for No Place on Earth switched off their headlamps...

Stories about people overcoming obstacles are uplifting and inspirational and all that. A new film on people with disabilities aims higher: It’s designed to start a movement...

You know the moment. It’s that split second when your mouth sprints right when your brain comes up lame. Suddenly, an average argument about one thing, one time, is now an argument about everything, every time. You’ve gone from questioning that evening’s plans to ...