Screen
‘Chipmunks’ sequel should’ve been roadkill
"Alvin and the Chipmunks: The Squeakuel" is a kids...
’44 Inch Chest’ has very little on its mind
Like "Reservoir Dogs" with a Cockney bark — but without Quentin Tarantino's...
Crisis of context
I believe it’s a lack of context, not empathy. Because if it’s a lack of empathy, we’re screwed — doomed as a country, culture, maybe even species. The dismissal of the poor as bottom-feeding, system-exploiting moochers comes from not having a full perspective of ...
A contraption, but it works
Call it strangeness on a train. The highly gimmicky, very entertaining new thriller Source Code takes place mostly on a passenger car, part of the fictional Chicago Commuter Rail line, speeding toward the Loop carrying a bomb planted by an unknown terrorist. Our ...
Cross-cultural animation
Five years ago, the Bristol, England-based Aardman animation folks — who created the stop-motion legends Wallace and Gromit and Shaun the Sheep and therefore are eligible for sainthood — made the digitally animated British/American co-production Flushed Away. Jam-...
‘Spy Next Door’ is limp and lifeless
"Every day you get older," Butch Cassidy once griped to The Sundance Kid. "It's the law...
Details matter
A man edges along the 21st-story ledge of a midtown New York City hotel. He’s an ex-cop and a convicted thief on the lam, straight out of Sing Sing, and he’s threatening suicide. Sam Worthington, of Avatar and Clash of the Titans, plays this character, Nick Cassidy, ...
Like a Joss
This was going to be a rabid, frothing defense of the superhero genre, complete with impassioned pleas that appealed to cinematic intellectuals who are apt to dismiss such films. But Tom Hiddleston, who ironically plays the evil Loki in The Avengers, got there first...
