Screen

Kalia Motley grew up in a world of nostalgia. Her mom was a connoisseur of vintage clothing and her dad a jazz musician. Through...

Ken Jacobs is coming back to Boulder, and it’s kind of a big deal. “He’s part of the history of poetic cinema/experimental cinema, the...

In the conventional sense, Doris (Sally Field) is a spinster. She lives in the same Staten Island house she grew up in — with...

It starts with a woman, naked and alone. She primps herself in the mirror, bangs on the brass bars of her bedpost in frustration...

It’s Election Day, Nov. 6, 2018, and it feels serendipitous to get the chance to talk with Michael Franti about his new documentary, Stay...

Wes Anderson’s cinematic style did not appear fully formed. It took a few movies over five years before Anderson locked in on formal compositions,...

It’s the third Thursday in March, and under normal circumstances, we’d be steeped in March Madness right now. You’re probably reading this at home. And not because you...

Few figures loom as large in CU’s history as Stan Brakhage. As a filmmaker, his influence on the visual medium is incalculable — even...

Fading Gigolo, which opened The Boulder International Film Festival in February and is now enjoying a theatrical run, begins in a truly unexpected fashion: a pimp and his hoe discussing business while packing up a used bookstore. The pimp, Murray (Woody Allen), ...

“The story of the Negro in America is the story of America. It is not a pretty story.” —James Baldwin By the time James Baldwin...

Americans are fascinated with criminals. You know this because you watch movies and TV, listen to podcasts, read books and magazines and encounter their...

Still wonderful, isn’t it? And no dialogue. We didn’t need dialogue. We had faces. There just aren’t any faces like that anymore. —Norma Desmond,...