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The year in film

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Screen

Boring vampire sex

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The fourth film in the Twilight series, Breaking Dawn: Part 1 reveals a flash or two of real filmmaking (mostly in a suggestively grotesque birthing sequence), enough to save it from pure lousiness...

Reel to reel | Week of January 10, 2013

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ANNA KARENINA...

‘Doctor Strange’ like


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A terrible, horrible, no good, very bad thought occurred to me about halfway through Doctor Strange. You guys, what if Benedict Cumberbatch isn’t a very...

Laughs & Gasps: The Cinema of Brian Trenchard-Smith

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Any filmmaker’s visit to CU-Boulder’s International Film Series is cause for celebration, but when the filmmaker in question is writer, director, actor, occasional stuntman,...

Running with it

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A rich and surprisingly old-fashioned musical biopic, The Runaways has neither the bloat nor the blather of your average Hollywood treatment of stars on the rise. It’s pungent and quick on its feet, capturing the clubs, the shag-heavy interiors and the Farrahhaired...

The eternal charm of the go-getter: Part two

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If great comedy must involve something beyond laughter,” film critic James Agee writes, “Lloyd was not a great comedian. If plain laughter is any...

A slight case of accidental murder

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The rocky, seaside village of Easter Cove, Maine, does not look like the kind of place you’d want to spend a winter. The snow...

Double Take: ‘Source Code’

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When you die, the last eight minutes of your life remain electromagnetically imprinted in your brain. If we could inject someone into that persistent memory, they could solve crimes after the fact. It’s the fascinating premise for director Duncan Jones’ sci-fi ...

Cast riveting in ‘The Road’

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The Road is a...

Hello, GoodBye

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Bill Vielehr won’t be at this year’s BIFF, but his work will be...

Movies galore

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IFS returns, two friends in the desert, and time travel in a Japanese cafe

The act of seeing with one’s own eyes

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Human beings are creatures of sight. What we judge as real is commonly based on what we see and how we see, but there...