Screen

Flood of clichés

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Photographed with the same image acquisition technology James Cameron used on Avatar, the movie on which we can blame most of the cruddy 3-D films since, the new suspense thriller Sanctum, executive-produced by Cameron, presents images (underwater, generally) of ...

‘The Revenant’ punishes DiCaprio for Academy love

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Without spoiling whether survivalist/tempting-bear-treat Hugh Glass (Leonardo DiCaprio) survives The Revenant, we can still talk about one climactic shot. DiCaprio, having been maimed in...

Cinematography and ski porn

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From the opening shots of Solitaire, the new ski film from Sweetgrass Productions, you know you’re in for something different...

Harry Potter grows up

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Much as I like the Paranormal Activity pictures for their unfashionable minimalism and quaintly Victorian lack of gore, it’s nice to get back to something like The Woman in Black — not authentic Victoriana, exactly (Susan Hill’s novel was published in 1983), and ...

Suparental sympathies

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Over the years, The Incredibles has, somewhat cloyingly, become the thinking person’s answer to “best superhero movie.” Writer/director Brad Bird’s original, stylishly sly Fantastic...

‘Shutter Island’ extraordinarily well-assembled

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The film version of Dennis Lehane’s creepy psychological thriller Shutter Island has taken a while to get on the big screen, but it was worth the wait. With Leonardo DiCaprio in the starring role as U.S. Marshal Teddy Daniels, a leisurely pace, moody ensemble and ...

Hairy Plotter


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Here, in Trump’s America, the question is no longer “Why do bad things happen to good people?” but “Why do good people do bad,...

‘Edge of Darkness’ is boring

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Mel Gibson has made a lot of films where he’s the simple-minded tough guy, notably the Lethal Weapon series, but the last few years have seen his personal life overshadow his career as he careened from one gaffe to the next. Edge of Darkness represents him trying to ...

First Person Cinema

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Started in 1955, CU-Boulder’s First Person Cinema is the longest-running program in the world screening avant-garde film and video work. Monday, Oct. 14’s show...

Slightly worse white people

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The satirical thesis of writer/director Jordan Peele’s Get Out is so deliciously literal, Jonathan Swift modestly proposes that his recipe has been bitten. The...

Eyes open to the world

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We don’t take enough time to stop and look around. That’s clear. We’re missing a lot of the good stuff — the artistic patterning in our architecture, the glint of airplanes in sunlight, the blur of a seagull’s wings against a gray sky, the flicker and shine of our ...

Easy, breezy fun

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I’m trying not to use the word ‘magical’,” Liz Marsh warned me as we sat down to discuss the upcoming season of the Boulder Outdoor Cinema (BOC), which opens on Saturday, July 12...