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Like a slow, rumbling thrum, the inevitability of Hell or High Water’s final act patiently chugs at you. One of those rare, gritty, morally...

He laid low...

It was just over a year ago, on March 6, 2020, when South By Southwest (SXSW) pulled the plug on its film, music and...

The Boulder International Film Festival is a local cinematic staple. And in 2020, BIFF was one of the last in-person events held before the...

Yes, it’s beautiful out there. Probably the Boulder region’s best summer in recent memory: cool temperatures (until recently), lots of rain and no smoke...

Billed as modern interpretation of a classic shamanic journey, The Portal: A Cosmic Rock Odyssey combines film, music and lighting to try and create a surreal, out-of-body, perhaps even religious experience for its audience. In the case of the audience at the Boulder...

CU Boulder’s International Film Series (IFS) has unveiled the spring 2023 calendar, and it’s a doozy. From the Jan. 26 free 35-mm screening of...

Since his 1991 debut, Slacker, writer/director Richard Linklater has quietly become the most reflective director in American cinema. In the documentary Double Play: Jack Benning and Richard Linklater (Gabe Klinger 2013), currently available via Video on Demand, he ...

The Motion Picture Association of America has given Charlie St. Cloud a PG-13 rating for, among other things, “an intense accident scene,” which is the best way to describe the film itself. With some supernatural melodramas, you may buy what’s on the page, as with...

"It ain’t like it used to be. But it’ll do.” So says one grizzled old timer to another at the end of 1969’s The...

On some level, every work of art is a reflection of the human condition. Who we are and how we relate to others and the world around us is the concern of every artist, but for some, that concern is an obsession...

Nowadays we call them noir, but back in the 1940s and ’50s they didn’t have a name. Born out of 1930s hard-boiled novels and...