Screen

The diner, as always, is a dive in the desert...

Beyond the delightful oceans of tasty, tasty tears wept by whiny dudes whenever a non-hetero, non-white, non-bruh picks up a lightsaber or kicks a...

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Out in the hinterlands of Iceland, a married couple is grieving. Some time ago, they lost a child. It has created a noticeable rift...

"It ain’t like it used to be. But it’ll do.” So says one grizzled old timer to another at the end of 1969’s The...

The man sits alone in his room. His name is Narvel Roth (Joel Edgerton) and he is a gardener, but he might as well...

Like a scathing satire of the Soviet Union or a mockumentary musical on grunge, The Incredible Burt Wonderstone sets its eyes on an expired target of cultural derision nobody gives a fuzzy rabbit about anymore. Dressing Steve Carrell in a Siegfried and Roy bedazzled ...

One of the most powerful — and frightening — film themes is global pandemics. Diseases already seem to spread without us fully understanding or being able to control them, and rapidly evolve to become resistant to our defenses. It's not much of a leap to see a very ...

There is a conversation about bullying that is desperately needed in this country. Unfortunately, Bully seemingly isn’t interested in being part of it. Director Lee Hirsch’s film, although clearly well-intentioned, preaches to the choir with pedestrian truisms that...

As creative luminaries Alfred Hitchcock and Sir Mix-a-Lot have demonstrated, a great end is crucial to quality art. Allied does not have a great...

You can’t control the world, but you can control your reaction. Reactions define the individual, and in Scott Z. Burns’ The Report, the tragic events of...

So few ensemble-driven African- American films make it to market — whether with familiar faces or unknowns — that the ones that do get out of the gate provoke a weird degree of scrutiny regarding what they have to say about the black experience. Who needs the ...