Screen
Better than nothing
Set in Manhattan, The Switch is all over the place. But around the halfway point it starts getting interesting and the people who put it together are at least working in a realm of reasonable intelligence and wit and respect for the audience. I wish it were great, ...
The ship so nice they sank it twice
The RMS Titanic has resurfaced from the icy depths of the Atlantic only to be subjected to a second dunking, this time with a 3-D upcharge, under the stewardship of Capt. James Cameron, master and commander...
BIFF: God Loves Uganda
The documentary God Loves Uganda begins innocently enough, outlining evangelical outreach efforts by the Kansas City-based International House of Prayer (yes, they refer to it as IHOP) to Uganda...
Brakhage Center Symposium to honor George Kuchar
To borrow a line from French filmmaker and critic, Jean-Luc Godard, “Cinema is everywhere.” And from March 4-6, cinema is indeed everywhere in Boulder....
Thanks, Morgan Freeman
I’ll be honest, in the spirit of the honestly shameless heartwarmer Dolphin Tale. I saw it in a somewhat distracted, agitated state...
One for something and all for nothing
Terry Gilliam’s outlook of the future is bleak. It always has been. The director of Fear & Loathing in Las Vegas, 12 Monkeys and The Fisher King made a name for himself as a director par excellence with 1986’s dystopian and paranoid Brazil, a movie that many count as...
Jonze takes ‘Wild’ risks; succeeds
Truly, I am madly, deeply in love with the film version of Where the Wild Things Are. Not since Robert Altman took on Popeye a generation ago, and lost, has a major director addressed such a well-loved, all-ages title. This time everything works, from tip to tail, ...
