Screen

Lewis Carroll’s immortal story Alice in Wonderland has been brought to the big screen many times, notably 1951’s animated Disney classic. That’s an intimidating challenge, especially for Tim Burton, who generally tackles new stories that can be crafted in his own ...

THE AMAZING SPIDER-MAN Peter Parker gets a new look (and an origin story) in this Marvel remake of everyone’s favorite web slinger. Unlike Toby Maguire’s emo-esque rendition of the wall-crawler, actor Andrew Garfield’s portayal hopes to bring Spidey back to his ...

If modern nerd culture has a “patient zero,” it was Mr. Trekkie (or Miss Trekker, if you’re nasty). Their legendary attention to detail is exceeded only by their willingness to speak Klingon in the most intimate of settings. And they’re really, really going to hate ...

Writer/director Rian Johnson is fantastic at making pretty good movies. 2005’s Brick was a slyly conceived yarn that took 1940s private dick dialogue and plot and affixed them to a modern high-school setting, with middling effect. 2008’s The Brothers Bloom was a ...

In 1850, Charles Dickens published his eighth novel, an autobiography of sorts, and his proclaimed favorite: The Personal History, Adventures, Experience and Observation of...

A humble suggestion: Force the chittering, self-serving partisans in Washington who increasingly prefer filibusters over floor votes to watch Lincoln. Director Steven Spielberg’s latest provides a character sketch, not of its titular president, but of America’s ...

The Tourist is a facsimile of a masquerade of a gloss on Charade, and on all the lesser cinematic charades that followed in the wake of director Stanley Donen’s 1963 picture. While it’s fairly easy to take in its retro way — it certainly takes it easy on the audience...

You may not have heard much about Colorado’s film industry. When you think cinema, you think New York or Hollywood. If you do think...

Down the winding roads of ‘Mulholland Drive’

We are masters of cynicism, proudly sporting a black belt in backlash. If this generation of critics, pseudo-critics and armchair-article-writing audience members given the bully pulpit of social media has any legacy, it will be bitching for bitching’s sake...

The robbers work with a confident, brutal and bracing efficiency. And the same could be said of their director...

A horror movie that works cuts through analysis, shrugs off opinions and snobbery, and eschews complexity — either in technique or in budget. You know it works when the hairs on the back of your neck rise. You know it works when others in the audience — as if moved ...