Screen
Karate chop to the throat
The feverish mixed martial arts infomercial Warrior opens up so many cans of emotional whup-ass that after a while you think: Enough! It’s whupped! It’s whupped! And yet the tears will flow by the gallon...
Just Mercy
Monroeville, Alabama,
1987: A man is condemned to death for a crime he did not commit. Do you need to
know the color of his skin,...
‘Somebody’s fool’
Orson Welles needed money. That’s how this story begins. Back in 1946, Welles was putting the finishing touches on an ambitious stage production of...
In order to form a more perfect union
A plane has two wings,” a high school junior representing the Federalist Party says to a room full of teens. “A right one and...
Crisis of context
I believe it’s a lack of context, not empathy. Because if it’s a lack of empathy, we’re screwed — doomed as a country, culture, maybe even species. The dismissal of the poor as bottom-feeding, system-exploiting moochers comes from not having a full perspective of ...
The Midnight Family
Mexico City is home to 9 million souls, but the government operates fewer than 45 ambulances to aid them in times of need. To...
Perry gets serious
It’s dated, theatrical and overthe-top. In the 35 years since the play’s premiere, it still doesn’t cut black men a lot of slack...
The casino that Jack destroyed
Why would you make a documentary?” kingpin lobbyist Jack Abramoff, a.k.a. the Man Who Bought Washington, asked filmmaker Alex Gibney. “No one watches documentaries. You should make an action movie,” he advised, which, in the best possible sense, is what Gibney ...
Frightful remake
Plenty gory, but graced by a jovial sense of humor and an enjoyably guts-centric use of 3-D, director Craig Gillespie’s remake of the 1985 vampire film Fright Night may not tickle the fancies of those who have a close personal friendship with the older version. I ...
Overdue disaster
Writer-director Todd Phillips understands comedy and comedic structure. He’s no stranger to the possibilities of the cinematic road trip...
Reel to reel | Week of August 16, 2012
AI WEIWEI: NEVER SORRY Ai Weiwei is China’s most famous international artist, and its most outspoken domestic critic. At Chez Artiste and Century. — Landmark Theatres THE AMAZING SPIDER-MAN Peter Parker gets a new look (and an origin story) in this Marvel remake ...
Instagrim: ‘Celeste and Jesse Forever’ is a hipster love tragedy
The degree to which you will enjoy Celeste and Jesse Forever solely depends on how ensorcelled you are by the luminous Rashida Jones. If you love her, this movie is a moderately effective slice-of-life rom-com-dram. If you think she’s just OK (or worse), you’re left ...


















