Screen
An open letter to CU students: Celebrate Stan
Dear University of Colorado students:
If I could offer you one word of advice — no, it’s not sunscreen — it would be this: Resources....
Like a Joss
This was going to be a rabid, frothing defense of the superhero genre, complete with impassioned pleas that appealed to cinematic intellectuals who are apt to dismiss such films. But Tom Hiddleston, who ironically plays the evil Loki in The Avengers, got there first...
Hairy Plotter
Here, in Trump’s America, the question is no longer “Why do bad things happen to good people?” but “Why do good people do bad,...
Home viewing: Existential cinema
Comfort watching comes in all shapes in sizes. Sometimes it’s a chubby little cubby all stuffed with fluff. Other times it’s Gene Kelly dancing...
Let’s not be gods
Midway through Ex Machina, writer/director Alex Garland’s taut thinker, super genius inventor Nathan (Oscar Isaac) tells human guinea pig Caleb (Domhnall Gleeson) that the invention of artificial intelligence was always a matter of when, not if. Here’s a thought: ...
You’re standing on my neck
The year was 1997. Hanson’s “MMMBop” was jostling with Aqua’s “Barbie Girl” for the top spot on the charts, Bill Clinton’s “sexual relations” with Monica Lewinsky were still private, and an MTV animated cult hit about two morons in high school called Beavis and ...
Coming of age
Since his 1991 debut, Slacker, writer/director Richard Linklater has quietly become the most reflective director in American cinema. In the documentary Double Play: Jack Benning and Richard Linklater (Gabe Klinger 2013), currently available via Video on Demand, he ...
reel to reel | Week of Oct. 27, 2011
50/50 Though it’s a cancer film, the tender and funny 50/50 addresses its subject with a refreshing lack of melodrama. Based on the true story of Will Reiser, a comedy writer, the movie follows Adam (Joseph Gordon-Levitt), who gets diagnosed with the C-word. ...
A matter of persistence
The legacy of Orson Welles looms large in the history of cinema. So large, even Welles himself fell into its blackness.
“The word genius was...
Thank god for Mendes
Midway through one in a manic string of chase sequences in the animated Rio, the uptight macaw voiced by Jesse Eisenberg says, “I would love to go five minutes without almost getting killed.” This is the movie’s strategy: near-perpetual peril, dialogue that’s almost ...


















