Screen

Reel to reel | Week of October 10, 2013

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Blue Jasmine After everything in her life falls to pieces, elegant New York socialite Jasmine moves into her sister Ginger’s modest apartment in San Francisco to try to pull herself back together again. Rated PG. At Boedecker, Esquire, Colony Square. Captain ...

Not genius, but still good

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The most startling shot in Paranormal Activity 3 is something even the film’s determined unbelievers would concede to be damnably effective...

The burden of actual Christianity

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Most praise for writer/director Jesse Moss’s documentary, The Overnighters, has rightly been focused on its Steinbeckian nature and explosive revelations about struggling workers in North Dakota. That wasn’t the big takeaway for me. The big takeaway for me was how ...

An icon under the microscope

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There`s a scene in the gripping documentary Joan Rivers: A Piece of Work guaranteed to complicate whatever feelings you have about the movie’s turbulent subject. Rivers, who says in the film that she’d knock out her own teeth if she could get a dentures ...

Reel to reel | Week of November 15, 2012

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ANNA KARENINA...

reel to reel | week of Feb. 6

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Act of Killing...

High-flying fun

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Prince of Persia: The Sands of Time is tremendous fun, non-stop action and an adventure film with an appealing story. The film starts with Dastan (William Foster), a beggar boy living by his wits in the bazaar in Persia, getting caught stealing. Seconds before he’...

Acting skills gone missing

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Twilight alumnus Taylor Lautner makes his debut as a leading man in a film tailor-made for him. Abduction puts Lautner in motion and never goes wrong as long as he remains in motion...

Sensationalism, not drama

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One of the great mysteries of filmgoing relates to a question the medium has posed since its infancy: When is “too much” just right...

Reel to reel | Week of May 24, 2012

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4:44 LAST DAY ON EARTH...

You’ll need a Haneke

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Oh, hell no. Why you gotta do us like that, writer/director Michael Haneke? Is life not already emotionally dense enough that you have to go and drop Amour on us just to remind us how finite and precious this human experience is? This is the sort of film you don’t ...