Screen

The dreaded ’20’

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It´s a close call, given the lousiness and the scolding tone of much of her material, but Anna Faris survives What’s Your Number? with eccentric comic charm intact. Dumb film; smart comedienne...

Daguerreotypes

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For 50 years, Agnès Varda lived on Paris’ Rue Daguerre, a quiet street of merchants not far from Montparnasse. She saw the men and...

The Assistant

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She lives in Astoria, but she works in the City. That means the company car picks her up long before the sun has a...

How we got here

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What good does it, writing about classic films? If it’s covering an undiscovered gem or a movie never properly released, that’s one thing. But to...

Reel to reel | Week of August 30, 2012

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2016: OBAMA’S AMERICA...

All work and no play…

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Two roads diverged in a wood, and I took the one less traveled by, and that has made all the difference. —Robert Frost Buster (Rami...

Gun crazy in love

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It starts with a woman, naked and alone. She primps herself in the mirror, bangs on the brass bars of her bedpost in frustration...

Stories we tell

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You know something’s amiss from the start. There’s something benign about the secondary school classroom setting, something pedestrian about the participants that makes your...

Vague ones

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I spent most of the beginning of Rogue One: A Star Wars Story trying to decide if Forest Whitaker’s character was named Saul, Sol,...

Double Take: ‘Source Code’

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When you die, the last eight minutes of your life remain electromagnetically imprinted in your brain. If we could inject someone into that persistent memory, they could solve crimes after the fact. It’s the fascinating premise for director Duncan Jones’ sci-fi ...

Alone, together

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The Koreans call it holojok—a portmanteau of holo (alone) and jok (together)—a growing phenomenon of young adults choosing to live alone in single-family homes. By some estimates, one-third of...