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Xerox Xerxes

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Screen

Reel to reel | Week of November 07, 2013

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Films showing during the Starz Denver Film Festival, Nov. 6-17...

Winter camp

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Your tolerance for writer/ director Gregg Araki’s White Bird in a Blizzard hinges on your appreciation (or lack thereof ) for campy content. If you were weaned on John Waters, you’ll gobble up every cheese-tastic second, from a horny housewife lusting towards her ...

Next-best thing

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Operatic characters are larger than life. Especially when projected on a 20-foot tall movie screen...

Class warfare wedding

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So few ensemble-driven African- American films make it to market — whether with familiar faces or unknowns — that the ones that do get out of the gate provoke a weird degree of scrutiny regarding what they have to say about the black experience. Who needs the ...

Listen to your soothsayer

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Bad things happened to Julius Caesar on March 15, proof that you should always listen to your soothsayer...

Righteous retribution

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Cassie’s drunk again, alone in the club and a mess. She can’t find her phone, and all her friends have left. Two guys at...

Badly thought out film adaptations, nevermore

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Edgar Allan Poe introduced his 1840s readership to a new kind of fiction: detective novels. In his dark, twisted and often macabre stories, criminals committed crimes and were brought to justice by an officer of the law. But while his stories, including "The Cask of ...

‘Valentine’s Day’ an ideal date movie

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When making movies, it's possible to have too much of a good thing...

The tin shine of BIFF

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As the Boulder International Film Festival (BIFF) celebrates its 10th anniversary, founders Kathy and Robin Beeck have much to celebrate...

Robert Pattinson plays Jacob

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Like The Notebook, but with an elephant, the unexpectedly good film version of Water for Elephants elevates pure corn to a completely satisfying realm of romantic melodrama. This adaptation of the Sara Gruen bestseller, set in a storybook edition of Depression-era ...

So long, celluloid

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Don’t get him wrong. Pablo Kjolseth loves the aesthetic qualities of celluloid. But as the director of the International Film Series (IFS), he is keenly aware that the future of moving pictures is digital. 2013 will mark a key moment in the history of cinema; it is ...

Emma.

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Emma Woodhouse (Anya Taylor-Joy) is handsome, clever and rich. She’s also a bit of a wrecking ball — the kind who thinks she’s holding...