Screen
Fast, furious fun
As adolescent male power fantasies go, Fast Five has an undeniable trashy charm...
‘Edge of Darkness’ needs more Gibson
Moviegoers can rest easy. Mel Gibson is back in the business of starring in violent, paranoid thrillers. Back in the business of starring in movies — period...
Poorly timed gun fetishization
Slipping into a funk while watching half of Los Angeles get shot up in the second half of The Green Hornet, I was struck by the sheer unluckiness of this film’s timing...
Out with the old
There’s funny and then there’s funny, and A Good Old- Fashioned Orgy is neither. I suspect Contagion will be funnier...
One for the fan boys
Primarily for dues-paying “X-Men” club members in good standing, rather than anyone wandering by a multiplex wondering if the prequel stands on its own, X-Men: First Class settles for moderately engrossing second-class mutant super-heroism. Plus it includes January...
Making a game of it
Most graphic novel-based films shed the visual style of the original work, though a few have tried to present a hybrid view, notably Sin City and Warren Beatty’s Dick Tracy, but Scott Pilgrim vs. the World is the first to offer up a unique hybrid where the action, ...
Indifference wins the day
The best romantic comedies have a blithe, take-it-or-leave-it spirit. Larry Crowne has the opposite. It’s the neediest movie of 2011, and one of the phoniest...
Wahlberg pulls through
Playing a reformed cargo smuggler sucked back into the game, Mark Wahlberg is the star of Contraband, a fairly entertaining remake of the 2008 Icelandic thriller Reykjavik-Rotterdam...
