Now and then

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Off to the races

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Screen

The surrealistic Godfather

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Birds of Passage (Pájaros de verano) — from Colombian directors Cristina Gallego and Ciro Guerra — is a masterpiece. Go see it.  Need more? Very...

Me without you

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Ash is Purest White is a gangster movie. Well, sort of. Sure, the movie opens with a room full of low-level gangsters gambling, but...

Once upon a time in war-torn Europe…

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Paris, modern day: The cleanses are coming. Staying one step ahead, the passenger (Franz Rogowski) flees Paris, stowing away on a train bound for Marseilles....

Hollywood’s golden year

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It’s hard to overstate the significance of 1939 in American cinema. Even though the movies were nearly four decades old, a series of events and...

Not a question of where, but why

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Watching movies in 2019 is no longer a question of where, but why. It could be everywhere: Multiplexes, art house theater, film societies, living rooms,...

Truth at every level

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An object is not without context, and a perspective is not without a point of view. For British philosopher Alan Watts, this was a...

‘What cinema is capable of, at all ends of the spectrum’

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Kathryn Bernheimer — programmer of the Boulder Jewish Film Festival (BJFF) — knows what her audience wants. “Opening and closing films have to be feel-good,”...

A woman’s place in cinema

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There is nothing connected with the staging of a motion picture that a woman cannot do as easily as a man, and there is no...

Adventures in cinema

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Back for a 15th year, the Boulder International Film Festival (BIFF), Feb. 28–March 3, has expanded its usual scope. With over 50 features and...

‘To die with something to live for’

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On Sept. 1, 2013, Hayao Miyazaki, the imaginative creator of My Neighbor Totoro, Porco Rosso, Spirited Away and The Wind Rises, announced his retirement....

For now we see through a glass, darkly

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When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became...

Big emotions in small packages

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All the best movies elicit our emotions — Roger Ebert famously called these movies “empathy machines” — but there is a fine line between...