Screen
Compulsive viewing
Let’s get this out of the way: If you’ve ever been in a car crash, The Road Movie is not for you. Much in...
Evil Cheesey rides again
When Terry “Evil Cheesey” Chesebro, 58, is out in public or walking near a road, it’s not uncommon for the former daredevil to receive quick honks as people yell his name in admiration...
Replicant? No, repli-can!
It is profoundly insightful and upsetting that both Blade Runners explicitly tackle the sins of civilizations built on slavery and sexual subjugation without including...
The cinematic sampler
As far as cinema is concerned, 2021 opened not with a bang but with cautious optimism. For starters, moviegoing has returned with AMC, Cinemark...
The Medicine
The sages call it by many names: yagé, ambiwaska, aioasca, but most know it as ayahuasca: a hallucinogenic brew drunk during a spiritual ceremony....
La dolce vita
There’s an old story (probably embellished, possibly apocryphal) from Blackboard Jungle’s opening weekend. Not many people remember that 1955 teen drama starring Sidney Poitier and...
Love my way
1987, somewhere in Northern Italy, a young man is about to come of age. Like most 17-year-old boys, the boredom of day-in, day-out routine...
The more things change…
On Nov. 15, the Starz Denver Film Festival will screen a 35mm revival of Spike Lee’s Do the Right Thing, a movie that is as relevant today as when it debuted in 1989. This past summer’s headlines out of Ferguson, Missouri, and the death of Eric Garner in New York, ...
The rhythm of storytelling
As the Master of Suspense Alfred Hitchcock said, “Drama is life with the dull bits cut out.” And who does the cutting? Editors. Sifting...
Top of the world
The tower itself is a pinnacle of engineering. Rising 40 stories into the air, it curves slightly inward, like a finger curling towards the...
Politics on screen
We’re less than 60 days away from another Election Day — and just three short weeks until Boulder Weekly’s annual Vote Guide! — and...
Decoding the Master
By its very nature, cinema is a collaborative art. As Orson Welles said, “A writer needs a pen, an artist needs a brush, but a filmmaker needs an army.” To whom then does a movie belong? In his 1954 essay, “A certain tendency in French cinema,” the young critic, ...