Screen

It’s 1950, and John Ford wants to make a movie: The Quiet Man, from a story by Maurice Walsh, about a retired boxer who...

No matter how corrupt, greedy, and heartless our government, our corporations, our media, and our religious and charitable institutions may become, the music will...

A man goes to the movies. The critic must be honest enough to admit he is that man. —Robert Warshow Like a lot of you,...

Ellis French (Jeremy Pope), a gay Black 20-something, trades the cold streets of New York City for the harsh regiment of Marine boot camp....

It’s been 10 years since the Social-Democratic War of Liberation: “The most peaceful revolution the world has known.” So opens director Lizzie Borden’s incendiary 1983...

The old school newspaper headline, “Local boy makes good,” seems to have fallen out of fashion of late. Should we blame the 24-hour news...

Screening Aug. 4-10, the Mimesis Documentary Festival (MDF) takes over the Dairy Arts Center’s cinemas for a simultaneous return and debut. A return as...

Benicio and Joe put the "Goth" back in Gothic with...

Celebrating Judy Garland’s centenary 

Geeks are not found; they are made. This is the lesson Stanton Carlisle (Bradley Cooper), a drifter in 1940s America, learns first hand at...

Spike Lee’s latest film, Da 5 Bloods, will be available to all with a Netflix login on June 12. Delroy Lindo, Isiah Whitlock Jr.,...

It was 1983 when British filmmaker Alex Cox turned in his first feature film to Universal Studios. That same week, Cox optioned the rights to one of his favorite science-fiction novels for a future project. The movie was Repo Man. The book was Harry Harrison’s Bill, ...