Now and then

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Off to the races

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Screen

Reasonably entertaining diversion

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Oh my God, they’ve shot Dame Helen Mirren! Realizing the Oscar-winning actress is playing a part, and not herself, the thought nonetheless is inescapable when Mirren’s ex-CIA agent takes a bullet in RED. I mean: How dare they...

Light tone, dark topic

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Some films are at once disappointing and successful, worth seeing despite the limitations of their source material...

Not awful, at least

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Compared to 27 Dresses, The Ugly Truth and Killers — The Ugly Truth and Killers being extra-specially evil benchmarks of how low modern romantic comedies can go — Life as We Know It does not crush your soul, does not turn Katherine Heigl into a shrill pain in the ...

Race to mediocrity

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There is no suspense in Secretariat...

How to make friends

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A cross far too many stretches of our movie-going lives, we see movie after movie without seeing one that really moves. At once stealthy and breathlessly paced, The Social Network scoots at a fabulous clip, depicting how its version of Facebook founder Mark ...

A gentler Gekko

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A gentler Gekko...

Not this again

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Disney’s effort to turn Kristen Bell into America’s Sweetheart reaches its tipping point with You Again, a flat romantic comedy that packages her in a funny setup and surrounds her with funny people...

Mastering the mob mentality

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In 1997 Sicilian-born filmmaker Marco Amenta made an hour-long documentary about Rita Atria, the young woman who risked her life by ratting out various members of the Sicilian mob — including members of her own family — pulling the strings and the triggers in the ...

Awful everything

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The good news for Paul W.S. Anderson is that Uwe Boll, his only serious competition for worst movie-maker in the biz, has another BloodRayne movie on the way...

Rocking tour

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When Peter Mortimer premiered his first movie Scary Faces 10 years ago at the Boulder Theater, the local filmmaker had his doubts...

Comedy, with flashes of Hughes

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The ghost of John Hughes smiles upon Easy A, a film that freely and giddily borrows from and pays tribute to Hughes’ famous Holy Trinity of ’80s teen angst comedies...

Affleck actually delivers

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The robbers work with a confident, brutal and bracing efficiency. And the same could be said of their director...