Sweet sounds of Sweden

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groove

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Entertainment

Poetry

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American Life in Poetry: Column 558...

The sacred attempt

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When Joshua Emerson’s mom died in the winter of 2019, he felt like a crucial part of himself had been severed. The Denver-based comedian,...

On the range in the gig economy

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A portrait of two freelance range riders in ‘Bitterbrush’

To live

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Here dies Kanji Watanabe (Takashi Shimura). For 30 years he has been pushing pencils and stamping government documents inside the cluttered offices of Tokyo’s...

‘To die with something to live for’

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On Sept. 1, 2013, Hayao Miyazaki, the imaginative creator of My Neighbor Totoro, Porco Rosso, Spirited Away and The Wind Rises, announced his retirement....

The venue Boulder needs

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The Boulder music scene has a rich history of supporting live performers and has numerous positives going for it — including great venues like the Fox Theatre, Boulder Theater, eTown and a variety of national and local acts performing on any given night. But what, if...

Them Crooked Vultures eat Denver alive

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Before I start describing Monday’s Them Crooked Vultures show, I think a little discussion of the group itself is in order. After all, some people (an unfortunate few) may not yet have had the privilege of hearing the self-titled disc from three of the most ...

Learn

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Plutonium: Permanent Problem at Rocky Flats...

BCO’s ‘Romance’: An adventure with unfamiliar yet comfortable music

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Romance,” the next concert by the Boulder Chamber Orchestra (BCO), will offer music that is unfamiliar, yet comfortable for the audience...

Camp at the opera

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You would not expect to meet Aunt Eller and Curly, two of the homespun characters of Rodgers and Hammerstein’s classic American musical Oklahoma!, at the opera house...

Letting go of balance

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It started in a Guitar Center in Long Beach, California, where one half of the acoustic rock band This Wild Life met the other. Kevin...

Magnifying injustice

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A certain segment of the population has always believed Nixon’s War on Drugs to be a tragic waste of time, money and human life. A damning statistic, familiar to those with even a minor interest in the drug boondoggle, comes early in The House I Live In: “Since 1971...